Friday, 28 February 2014

Vrindavan Tourist Attractions

Vrindavan Tourist Attractions
Raman Reti
It is the place where Krishna and Balarama came with the cowherd boys to play daily, and also the meeting place of Krishna and Radharani every night, before going to Brindavan to enjoy their pastimes.

Nidhivana
Nidhivana is the place where Radha and Krishna are said to have taken rest after dancing and other conjugal affairs. There is a small temple here known as the 'sleeping temple', which has a bed, where Radha and Krishna are said to take rest in, after enjoying their pastimes here.

The Samadhi of Haridasa Swami is near the entrance of Nidhivana. He was a contemporary of the six Gosvamis, and he discovered the Banke Bihari Deity here. He was born in 1535 in Haridaspur (Kol-Aligah). His father married the daughter of a brahmana from the village of Raipur, which is near Vrindavana. When he was 25, he took sannyasa. Tansen the famous court musician of Emperor Akbar, in the 16th century, was from Nidhivana, and a favorite student of Haridas. .

Samadhis
There are basically three types of samadhis in Brindavana. They are full body, pushpa samadhi, and smriti (memory). Normally a samadhi is placed near a temple or where a devotee did his bhajana. It is said that Jiva Gosvami did bhajana in the exact same place as where his samadhi is located. Lokanatha Gosvami, Bhugarbha Gosvami and Prabodhananda Gosvami all did bhajana at the places where their samadhis are located.

Yamuna River
The beautiful Yamuna, India's most sacred river flows through the transcendental land of Brindavana. From Yamunotri, the Yamuna flows south until it reaches Delhi. It then flows to Braja Mandala through Vrindavana and Mathura. From there it goes through Agra and eventually merges with the Ganges and the underground Saraswati at Prayag (Allahabad). The main reason it is so sacred is because it flows through Vrindavana and Mathura, and was thus intimately connected to Lord Krishna's pastimes. A bath in this river is said to be one hundred times more purifying than a bath in the Ganges. The traditional bathing place of most pilgrims is at Kesi ghata, where Lord Krishna bathed after killing the Kesi demon.

Govardhana Puja

Govardhana Puja
It is said that in the times when Krishna was still a child, cowherd men used to worship Indra as the God of Rain and performed sacrifices to appease him. When Krishna came to know this, he refused to participate in the event saying that there is only one Supreme God and if it is necessary to worship someone, it is indeed Govardhana Hill, for it fulfils many of their necessities. The convinced villagers offered all the sacrifices intended for Indra to Govardhana Hill. Krishna impersonated as the Govardhan Himself and began consuming whatever was offered to him. The villagers rejoiced to see their new deity being so king to them and eager to accept their worshipping. Even today, devotees take rocks from Govardhana Hill and worship them as Lord Krishna.

When Indra came to know of the event, he was infuriated. He sent torrents of rain upon Vrindavana. The frightened villagers asked help from Krishna, their savior. Krishna easily lifted Govardhana Hill with his little finger and held it over the residents of Vrindavana like an umbrella, where they lived comfortably for a week. The baffled Indra's pride was shattered and he understood his mistake. Hestopped the rain and humbly came to Krishna to ask his forgiveness, bringing Surabhi cow as a gift to him. Since then, Govardhana Hill is worshipped on the day after Diwali, known as Govardhan Puja. This day is also known as Annakuta because of the large amounts and varieties of food prepared on this day. In Vrindavan, all the temples prepare huge quantities of food on this day and distribute it to general public.


Govardhana Hill Parikrama

Govardhana Hill Parikrama
Govardhan Hill Parikrama is of two lengths. The parikrama normally undertaken does not cover several important places in the vicinity of Govardhana Hill that are covered only in the longer 24-mile parikrama. The parikrama kicks off by taking bath in Manasi Ganga. From there, the pilgrims take right turn and walk to the end of the road paying their homage to the way to the deities of Harideva, Manasi Devi and Brahma Kund. At the T-intersection, there is Rinamochana Kund on the left. It only has water in monsoons. It is said that taking a holy dip here frees one from all vices.

Taking the right turn takes you to the Papamochana Kund, just 50 m ahead. This reservoir is situated on the Mathura-Sonk Road. A holy dip here is believed to win pardon from the lord for all one's sins and offenses. The road leads to Mathura. Proceeding on this road will lead you to a small hill on the right hand side near the government bus stand with a small pond nearby known as Indra-dhwaja Tila (Flag of Indra Hillock). It is here that the cowherd people used to worship Indra in the times of Krishna.


Govardhana Hill

Govardhana Hill
There are interesting legends attached to Govardhana Hill. It is said to be in shape of a peacock in the pose when he curves its neck and puts his head under its stomach. Radha Kunda and Syama Kunda are said to be its eyes, Dan Ghati to be its long neck, Mukharavinda to be its mouth and beak and Punchari to be its back and tail feathers. It is said that in Satya Yuga, the great sage known as Pulastya Muni approached Dronakala, the king of the mountains, and asked him for his son Govardhana. Dronakala was much in love with his son and gave him away only on the condition that if the sage kept Govardhan down, the mountain would remain at that place, hoping that in this way the sage would not be able to take Govardhan too far away from him.

Finally, while the sage was passing through Braja Mandala, he had to put Govardhana down to finish his toilette and thus, when he returned Govardhana could not be moved. The angry sage then cursed Govardhan that it would shrink by the size of mustard seed daily. It is said that Govardhana Hill was 115 km long, 72 km wide and 29 km high. Today, the hill is only 80 ft high. Yet another legend states that at the time when the army of Lord Rama was constructing the bridge to Lanka, Hanuman carried off Govardhana from the abode of Lord Shiva in Himalayas to help built the bridge. On the way, when he was passing through Braja Mandala, he was informed that no more stones were needed and thus, Hanuman left Govardhana there. Govardhana felt lost and desperate for he was away from both Lord Shiva and Lord Rama. Rama answered his prayers by promising to come to him in his next incarnation and thus, in Swapur Yuga, when he took birth as Sri Krishna, he held Govardhana up for seven days and nights to save the residents of Braja thus raising his worth infinitely.


Brindavan Parikrama

Brindavan Parikrama
Devotees performed a 10 km walk on Ekadasi (the eleventh day of the waxing and waning moon) around the Brindavan town passing the places like Mohana Ter, Kaliya Ghata, Madana Mohana Temple, Imli Tala, Sringara Vat, and Keshi Ghata. This collective walk is known as Brindavan parikrama. This path is one street over from the ISKCON temple.

Brindavan Parikrama usually takes two to three hours to go around Brindavana. The parikrama path is 10 km (6 miles) long. It is customary to do this walk with bare feet, which is fairly painful, even for one who never walks in bare feet. This path is one street over from the ISKCON temple. It usually takes two to three hours to go around Brindavana.


Braja Mandala Parikrama

Braja Mandala Parikrama

This is the basic route that most parikramas of Braja Mandala take. From year to year the exact schedule may change, but this is the basic route that will be taken on Braja Mandala Parikrama. The parikrama visits most of the major pastime places and the 12 main forests in Braja. The parikrama starts in Mathura by bathing at Visrama Ghata. The parikrama then goes clockwise around Braja Mandala. It first heads southwest of Mathura. The parikrama then heads north visiting the seven main forests on the western side of the Yamuna. The parikrama goes south until it reaches Baldeo (Dauji). It then goes back north going through the forest of Mahavana. It then returns to Mathura, where it ends by bathing in Visrama Ghata.

The first day begins by doing parikrama of the town of Vrindavana. The next day the walk is from the town of Vrindavana to Mathura, visiting Akrura Ghata and Yajna Sthani (Yajna-sthala) on the way. After reaching Mathura, there is bathing at Visrama Ghata. Braja Mandala Parikrama usually begins by bathing at Visrama Ghata. The next day is parikrama of Mathura.

The next day the parikrama leaves Mathura. The first forest to be visited is Madhuvana, which is where Dhruva Maharaja performed austerities and Satrughna, the brother of Lord Rama killed the demon Lavanasura. The village that you stay at over night is the small village of Madhuvana, which has almost no facilities

The next forest that is visited is Talavana. This is where Lord Balarama killed the ass-demon, Dhenukasura. You also go throught the forest of Kumudvana, which is where Lord Kapila performed austerities. This day's walk ends at Santanu Kunda, which is in the small village of Satoya.

The next day the walk is from Santanu Kunda to Radha Kunda. On the way one goes to Gandharva Kunda, which is where Gandharvas used to bath; Ghechari, Putana's birthplace; and the forest of Bahulavana. In Bahulavana one visits the Bahula Temple and Bahula Kunda, where the cow named Bahula showed truthfulness. From Bahulavana one then visits the village of Ral and Vasanti. King Vrishabhanu stayed at Vasanti before moving to Varsana. After visiting the village of Ral and Vasanti, one can go to Mukharai, which is the village of Radharani's maternal grandmother, Mukhara. The walk on this day could also end at the village of Ral.

The following day is spent at Radha Kunda seeing the places there.

The next day is Goverdhana parikrama. One of the first places to be visited is the village of Aniyora, where the Annakuta ceremony (Govardhana Puja) was performed. Then comes Sankarsana Kunda. Near Sankarsana Kunda is where Madhavendra Puri discovered the Deity of Gopal. At Petha, Krishna hid from the gopis. Punchari is the southern most point of Govardhana hill. At the tail-end of Govardhana Hill are Navala and Apsara Kundas. The Gandharvas and Apsara bathed here. Next is the Lautha Baba Mandir, which is near Apsara Kunda. Lautha Baba, who is a friend of Sri Krishna, is still waiting for Krishna to come back from Mathura. Visited next is Shyama Dhak, which was Krishna's and Balarama's playground. After visiting Shyama Dhak one comes to Raghava Pandita Gupha (cave), which is the bhajana place of Raghava Pandit. Then comes Jati Pura, which is Madhavendra Puri's village. Then one reaches Uddhava Kunda, which is the place where Uddhava resides as grass.

The next day is the appearance day of Radha Kunda, which is celebrated at 12 midnight. Depending on the schedule of the parikrama this day may be before or after the Govardhana parikrama.

On the next day one walks from Radha Kunda to Dig (Deeg). On the way is Asoka Lata, which is near Kusuma Sarovara. This is where Krishna braided Radharani's hair. At Naradavana, Narada Muni is said to have wrote the Narada Bhakti Sutras. After Asoka Lata comes Chakalesvara Mahadeva Temple and Sanatana Goswami's bhajan kutir. Both these places are right next to each other on the bank of Manasi Ganga, in the town of Govardhana. In the village of Gantholi (Ganthuli), Caitanya Mahaprabhu came to see the Deity of Gopalaji, who was kept in this village for a short time. Then comes Bahaj, which is a village related to Indra. The walk on this day ends in the town of Dig.

The next day the walk is from Dig to Badrinath. On the way one goes to Didavali; Khoh, which is famous for milk products; and Kadamba Kanana, which is a peaceful grove with large Kadamba trees. At Badrinath, there is the Badri-narayana temple and Tapasya Kunda, which is usually very cold. It is a fairly hard walk uphill to reach Badrinath. The temple here is in the middle of no where, on top of a good-sized hill. Badrinath is a peaceful place.

The next day is spent seeing the places around Badrinath. Here, Trikuta Parvata mountain and Triveni Sangam, which is the confluence of the Ganges, Yamuna and Saraswati, can be seen. One can also go to Haridwar, Har Ki Pairi, Rishikesh, Laksman Jhula, and Nara Narayana Parvat.

The next day is the walk from Badrinath to Kedarnath, going through the village of Alipur Pasopa on the way. At Kedarnath there is the Kedarnath Temple, which is dedicated to Lord Siva. Kedarnath is in the middle of no where and there are no facilities there, except for the temple that is there.

The next day the walk goes from Kedarnath to the town of Kaman, which is in the Kamyavana forest. It stops at Charana Pahari, where the footprints of Lord Krishna are imprinted on a rock, on top of a hill. One also stop at Gaya Kunda, where Nanda Maharaja offered oblations to his forefathers. Kaman is a fairly big town with decent facilities.

On the next day, one can go to see the places in the town of Kaman. Here, Vimala Kunda, which was formed by the tears of kind Vimala's daughters, can be visited. Then one continues the journey to the Sri Govinda Temple, where the deity of Vrinda Deva is worshiped. One can then go to the Madana Mohana and Radha Gopinatha temples. At Chaurasi Khamba Palace there are 84 ancient carved pillars. At the Kameshvara Temple, Lord Siva fulfill one's desires. The Dharmaraja Temple is dedicated to Yamaraja's son, Yudhisthira. Dharma (Panch Tirtha) Kunda is said to be the place where Yudhisthira answered all of Yamaraja's questions correctly. At Yasoda Kunda, Yasoda would sometimes wait for Krishna to come home to Nandagram. Ashokavana represents the Ashoka garden in Lanka, where Sita Devi was held captive. At Ramesvaram, Krishna displayed the pastime of building the bridge to Lanka.

The next day the places around Kamyavana are visited. The places visited are: Prabhodananda Sarasvati's bhajana kutir, the Vyomasura's cave, Balarama's footprints, and Bhojan Sthali.

The next day is spent walking from Kamyavana to Varsana. On the way one goes to Kadamba Khandi, which is Radha and Krishna's meeting place. Visited next is Sunera Grama, which is the village of Rangadevi and Sudevi. Then one go to Sakhi Giri Parvata. The gopis played in the area of Sakhi Giri Parvata. At Chitra Shila there is the imprints of Radharani's veil. You then go to the village of Uchagrama (Uchagoan), which is the village of Lalita Sakhi. Narayana Bhatta Goswami's bhajana kutir and samadhi are here. Narayana Bhatta Goswami is the devotee who established the path that Braja Mandala Parikrama follows. The walk on this day ends at Varsana.

The next day is spent visiting the places in Varsana. Vrishabhanu Kunda is named after Vrishabhanu Maharaja. Sankari Khor is a narrow pass in the rocks where Krishna used to collect taxes from the gopis. Vilas Garh is one of the four peaks of Brahma-giri. At the Mor Kutir temple, Krishna danced with a peacock. Krishna Kunda is the only kunda on the four hills of Varsana. Next to be visited is the Jaipur temple. A five minutes walk away, along the path on top of the hill, is the Larily Lal Temple, which is where King Vrishabhanu's palace used to be located.

The next day, one walks from Varsana to Nandagram. On the way one can go to Pila Pokhar Kunda, which is where Radharani washed her palms. Prema Sarovara was made from Radha and Krishna's tears. Sanket is where Radha and Krishna would meet. Next to the Sanket devi Temple is Gopala Bhatta Goswami's bhajana kutir. Uddhava Kyari is where Uddhava delivered Krishna's message to the gopis. The Nandagram temple on the top of the hill is where the palace of Nanda Maharaja used to be located. The Nadisvara Siva Temple is in the Nandagram temple. Also visited is the Narasimha Varaha Temple; Pavana Sarovara, where Radharani would cook for Krishna; and Sanatana Goswami's bhajana kutir.

The next day the walk goes to Khadiravana, which is where Lokanatha Goswami's bhajana kutir is located. In this forest Bakasura was killed by Lord Krishna.

On the following day the walk goes from Nandagram to Kokilavana. Places visited on the way are a Siva temple, Ter Kadamba, Rupa Goswami's bhajana kutir and the village of Javat. Javat is where Radharani lived with her husband Abhimanyu.

The next day the walk is from Kokilavana to Sesasayi. On the way, the Bathain Temple of Dauji (Balarama) and Charana Pahari, where there is located the foot prints of Lord Krishna, Balarama, some cows, elephants and deer, are visited. Also visited is Kotvana. In Sesasayi is the Sesasayi Temple, which has a Deity of Lord Vishnu lying on Ananta Sesa and Khsira Sagara, the ocean of milk.

The next day is spent walking from Sesasayi to the town of Shergarh.

The next day one from Shergarh to Chira Ghata. On the way is Rama Ghata, where Balarama performed the rasa dance and Khela Tirtha, which is where Mother Yasoda called Krishna and Balarama for lunch. One then go through the forest of Biharvana. At Akshya Vata, Krihsna and His friends would hang their lunch bags on the tree that is located there. At Tapovana the gopis performed austerities to gain Krishna as their husband. Chira Ghata is where Krishna stole the gopis' clothes.

The Katyayani Temple at Chira Ghata is where the gopis prayed to get Krishna as their husband.

The next day the walk is from Chira Ghata to the forest of Bhandirvana, passing the forest of Bhadravana on the way. One first go to Nanda Ghata, which is where Nanda Maharaja was arrested by Varuna, and then crosses the Yamuna River. In the forest of Bhadravana, Krishna killed Vatsasura. Balarama killed Pralambasura in the forest of Bhandirvana. At the Radha Ananda Bihari Temple, Radha and Krishna got married. Next to this temple is Venu Kup, which is a well dug by Krishna with His flute.

On the following day the walk is from Bhandirvana to Maan Sarovara. On the way one can visit the forest of Bilvavana (Belvan), where Krishna and the cowherd boys used to come for picnicking. One can also go to the place where Lakshmi devi performed austerities to enter into the rasa-lila.

The next day the walk is from Maan Sarovara to Lohavana. At Maan Sarovar, Siva obtained a gopi form by taking bath in this lake, so he could enter the rasa dance. In the forest of Lohavana, Krishna defeated Jarasandha 17 times. The Radha Gopinatha Temple in Lohavana is visited.

The next day the walk is from Lohavana to the town of Baldeo (Dauji). Here one visits the Bandi Anandi Temple of Yoga Maya and the Dauji (Balarama) temple. Next to the Dauji temple is Khsira Sagara, which was filled with milk as an offering to Balarama.

The next day the walk goes from Baldeo to Brahmanda Ghata. Visited on the way is the Cintahran Siva temple, which is a place where all anxieties are taken away. Brahamda Ghata is where Krishna ate clay, and then showed His universal form to Mother Yasoda.

The next day the walk is from Brahmanda Ghata to Raval, the birthplace of Radharani. Visited on the way are Utkhal, where the grinding mortar is located and Mahavana (Gokula). In Mahavana is the Chaurasi Khamba Temple, which was Nanda Maharaja's house.

The last day's walk is from Raval to Mathura. One has to then bathe in Visrama Ghata to end the parikrama.

Archeological Museum of Mathura

Archeological Museum of Mathura
Situated at Dampier Park, this museum was founded by Mr. F S Growse, the then-collector of district Mathura in 1874 to house the items found in the archeological excavations from Mathura and adjoining area. It was shifted to this present building in 1930. It presents one of the finest archeological collections that are perhaps the best, considering that it is regional in character. Its collections include rare and antique items ranging from 3rd to 12th centuries. The sculptures from the Gupta and Kushan period are worth seeing.

The museum houses rare treasure unearthed by Cunnigham, Growse, Fuhrer and others fincluding stone sculptures, bas-reliefs, architectural fragments, inscriptions pertaining to different faiths, antique coins, terracotta and bronze items, pottery, bricks, clay seals and paintings, mostly belonging to the Mathura region. The museum offers good material on Indian Art and Iconography along with exhibiting ancient forms of drapery, ornamentation and hairdressing and articles of domestic or special uses.


Bharatpur Tourist Attractions

Bharatpur Tourist Attractions

Bharatpur has not that much of rich heritage sites, architecturally or even, commercially like the other cities of Rajasthan. But it is the home of more than 380 species of beautiful feathered birds, and this is the reason why visitors want to visit this place time and again. It is situated in the eastern part Rajasthan of India and significant for Keoladeo Ghana Bird Sanctuary. The best season to visit is October to February. Here, mainly Hindi and English are spoken. Distance from Agra is 56 km and from New Delhi is 215 km. Brij Festival is the most colorful festival of Bharatpur. It is celebrated prior to the festival of Holi, which marks the beginning of the spring season and end of winters and thus, falls mostly in March.

The villagers wear traditional costumes that are dyed in bright vivacious colors, sing Holi songs and enact Raslila dance that depicts the playful dance of Krishna with 'gopis'. The reenactment and the overall atmosphere of the region during the festival, is full of gaiety and enthusiasm. Everybody, whether young or old, men or women, give in to the boisterous moods of the festival and celebrate with folk melodies and performances, warm and hearty smiles and splashing colors on everybody. Visiting Bharatpur during this time gives you a chance to have first-hand experience of the festival.

Around Agra

Excursions Around Agra

Not only Agra but the whole region including Mathura and Vrindavan have a unique place in the cultural world of India. While Agra is known for its historical monuments, Mathura and Vrindavan are basically known as the major pilgrimage centers for Hindus for their long association with Lord Krishna. Both these sister cities have a number of significant and beautiful temples. The other place that is worth visiting near Agra is the Keladeo Bird Sanctuary of Bharatpur where a number of birds find their refuge and is ornithologist's delight.

History of Agra

History of Agra
Agra has found its mention in the famous Hindu epic Mahabharat as the forest of Agraban close to Mathura. Badal Singh founded the city in 1475. Sikandar Lodhi made Agra his capital city. Later, Babur defeated the Lodhis to capture the city situated on the banks of River Yamuna and thus, the long association of Mughals with Agra started. The Mughal love of architecture translated into beautiful monuments such as Taj Mahal, Agra Fort, Fatehpur Sikri and Sikandra. The glory of Agra was at its peak during the reign of Akbar, Jehangir and Shah Jahan. Akbar made it the center of art, culture, commerce and learning and Shah Jahan saw it in full bloom. In fact, it is said that it was Akbar who laid the foundation of the modern city that we see now in 1558 and was known as Akbarabad. Most of the buildings belong to the period between mid-16th century and 17th century and were of high quality. These monuments were built in the contemporary Mughal style. Mughlai cuisine and the skilled craftsmen can still be seen in the narrow lanes of the city as a reminiscent of the lost time

History of Agra Before Mughals
The evidences suggest that that the city of Agra is much more older than it is supposed to be. Khwaja Masud bid s'ad bin Salman mentions about Agra and its fort in his 'Diwan', a collection of poems. He wrote that after a tough fight with Jaipal, the Amir of Agra, Mahmud Shah who was the governor of Hind invaded the Fort of Agra in 1080-81. Undoubtedly, the fort must have been built sometime earlier than the mentioned time frame. There are other records that confirm the existence of this old brick fort on the bank of River Yamuna, which was in ruins at the time of Akbar. Akbar found it in ruins and rebuilt in red sandstone, which stands to this date and is known as Agra Fort. This reconstruction activity has found its mention in the memoirs of Jehangir and the three eminent historians of those times including Sheikh Abul Fazal, Mulla Abdul Qadar Badaoni and Khwaja Nizamuddin.

Agra During Modern Period
In the times of Mughals, Agra was one of largest Subas out of the 12 provinces of their empire and encompassed Gwalior, Kalpi, Kannauj, Koil (Modern Aligarh), Narnaul and Alwar. Abul Fazl, the court historian of Akbar, describes Agra as a large city with a healthy climate, situated in the bank of River Yamuna. He has also mentioned the villas, gardens and red sandstone fort built by Akbar. Badaoni and Nizamuddin, the other two contemporary historians also describe the grandeur and splendor of the Mughal Agra. A church, an orphanage, a Christian cemetery and a college were built by a Jesuit father at Agra. In 1585, Ralph Fitch noted that Agra had much more population and larger dimensions than London, while Jehangir boasted in his memoirs that the number of the buildings here were equal to several cities of Iraq, Khurasan and Mawar-un-Nahr put together. Agra attracted English and Dutch, who established their factories here. The capital of Moghul India for nearly a century, it sports beautiful palaces and splendid royal mausoleums and tombs. Today, the city is more famous for Taj, the white-marble tribute of Shah Jahan to his beloved queen Mumtaz mahal. The other places worth visiting here speaking volumes about the splendor of thise days are Itmad-ud-Daulah's tomb enshrining graves of Nur Jehan's parents and Moti Masjid. However, if we take the monuments away, the city has lost it all.
History of Agra During Mughals
Babur invaded Agra in 1526 after killing Ibrahim Lodhi, the last Sultan of the Delhi Sultanate in the first battle of Panipat and laid the foundation of Moghul dynasty. Humayun, his eldest son and successor, was bestowed with the responsibility to seize the treasury of Agra, which included rare diamonds such as the famous 'Kohinoor', presented to him by the king of Gwalior. Babur entered Agra on May 10, 1526. Babur introduced the first Mughal gardens in Agra and constructed a big baoli inside the fort, where he died in 1530. Agra remained the capital of Moghul for generations to come. Humayun was crowned the next emperor. After the Afghan ruler Sher Shah defeated Humayun at the battle of Chausa, Agra came under the rule of Brahmajit Gaur on his behalf. In the second battle of Panipat in 1556, the Mughal forces recaptured Agra. It was the golden period in the history of Agra. It became the center of art, culture, commerce and learning during the reign of Akbar and flourished under the reigns of Jehangir and Shanjehan. The thirty years of Shah Jehan's rule were comparatively peaceful and thus, his passion for architecture came to the fore and the world-famous architectural masterpieces were constructed including the Taj Mahal and the Moti Masjid. Agra's glory faded since Aurangzeb shifted his capital to Delhi but it will always be remembered as the city of Taj.

Agra Under Sikandar Lodi

In 1192, northern and central India underwent great political upheavals. Chauhans were overthrown by the Turks. Great battles were fought. Agra was forgotten for a time being and no references to the city were found during the three centuries dominated by the reign of the slave dynasty of the Delhi Sultanate, Khaljis or Tughlaqs. If finally manages to find its mention during the reign of Syed Allauddin (1445-51) as a dependency of Biana. Later, Sikandar Lodi seized Agra and during his reign, the city flourished as an important cultural centre. However, the claims of Niamatullah, the chronicler of the Lodhi dynasty, that Sikandar founded the city are unacceptable, as it had been mentioned in earlier records. The only claim that could be justified was that Agra came to be known as the Shiraz of India during Sikandar Lodi's time. The mighty ruler died in the fort on 14th December 1517. Ibrahim Lodi, the son and successor of Sikandar, held the fort for 9 years before succumbing to the might of Mughals.

Sangin Burj Fatehpur Sikri

Sangin Burj Fatehpur Sikri
Sangin Burj is located to the north on the palace precincts. Its great breadth and depth of the arch in the external side of the bastion is regarded to be the uniqueness of this monument.

Only five sides of this octagonal building are visible, as the palace wall cuts off its three rear faces. The bastion is made up of red and buff sand stone containing semicircular pattern. The façade is adorned with a four centered arch edged with buff sand stone and decorated with flame-like decoration. The spandrels of arch contain buff rossets and are enclosed in red sand stone frame.

Interior of the Sangin Burj is made up of rubble-plastered masonry. The Sangin Burj also has a spacious central hall approached by a tibara-pillared verandah, with rooms on the three sides and corner chambers. The walls of these rooms are decorated with beautiful dado panels with geometrical designs and niches. The building has a domical roof above.


Samosa Mahal Fatehpur Sikri

Samosa Mahal Fatehpur Sikri

Samosa Mahal is so known because of its triangular shape that resembles the shape of an Indian snack known as 'samosa'. It is said to be the residence of one of the nobles of Akbar. No records are available about the real name or occupants of the building and its shape has been altered ever since its northern portion was demolished and an enclosure wall was raised in its place. It is single-storeyed and has main entrance to its west. The irregular courtyard is surrounded by verandahs on its three sides. It has five rooms with its roofs supported by pillars and brackets on the southern side.

The other two sides also have series rooms and an open courtyard. There are six rooms on the eastern side and four rooms on the northern side. The palace being a residential building also has hammams or baths and toilets with earthenware pipes. It has been designed beautifully, keeping in mind the needs and comforts of the occupants. A combination of red and gray sandstone has been used and ornamental arches and friezes have been used on all sides. One can still see the traces of the paintings in the interiors. Beautiful pillars and heavy brackets graced the verandahs.

Rang Mahal Fatehpur Sikri

Rang Mahal Fatehpur Sikri
Rang Mahal or the Pleasure Palace is situated to the west of Jami Masjid. One of the oldest buildings of Fatehpur Sikri, it showcases several decorative motifs that were used here for the first time. It is in ruinous condition now. It is said that Akbar built it for his wife on advice of Sheikh Salim and that prince Salim was born here. The surviving portions of the palace have two courtyards in the southeast corner of the building with the pair of tall twelve-sided columns that have extraordinary double capitals and a deeply coffered roof. The beautiful brackets of these columns are shaped like heads of horses.

It is said that originally it had five inner courts, one in the centre having one court on each side. The red sandstone palace had main entrance to its north. The eastern courtyard has three openings or tibara dalan. The inner closed room in here has survived. It also has a double storyed façade overlooking the court below. The building has a double storeyed living room, which lacks any superstructure or dome. Its beauty lies in the series of brackets used here. Despite its pitiful condition, this building is believed to be the best example of residential architecture in India.


Karkhanas at Fatehpur Sikri

Karkhanas at Fatehpur Sikri

Karkhanas is located near the northeast side of the Agra gate. The building is also popularly known as 'Taksal' or mint, which is a misnomer. This building was used as workshop where state commodities were produced and stored. It is believed that spices and dry fruits were stored in the building, while textiles were manufactured and precious stone work, ivory work, enameling work were carried out in this building grain.

The building is a single storied structure, which is entirely built of rubble masonry. Like other old buildings, this one is also in an ageing phase. Remnants of arched doorways and a few arcaded bays are survived only. The Karkhana surrounds a quadrangle courtyard of 72.58m by 80.21m in dimension and surrounded by a ruinous cloister. The cloister has a series of broad square bays, each made of four arches, and roofed by a cupola.

There is also another small sandstone building of six rooms near the entrance of the Karkhana. Its proximity with the Karkhana suggests that it might be used as office for maintaining accounts of raw materials, wages paid and wares produced in the Karkhana.

Faidi House Fatehpur Sikri

Faidi House Fatehpur Sikri

Faidi House is situated on the western side of Abul Fazl House, who was the younger brother of Faidi. It is now in ruins. Its western wall has been built much later and the balconied room on this side was demolished. The verandah of the building runs across its entire length and has five openings. It also has double square pillars. The dimensions and plan of the building is very much similar to that of Abul Fazl's house. It is made up of red sandstone.

Thursday, 27 February 2014

Ram Bagh AGRA

Ram Bagh


 The Ram Bagh is the oldest Mughal Garden in India, originally built by the Mughal Emperor Babur in 1528, located about five kilometers northeast of the Taj Mahal in Agra, India. Babur was temporarily buried there before being interred in Kabul.



The garden is a Persian garden, where pathways and canals divide the garden to represent the Islamic ideal of paradise, an abundant garden through which rivers flow. The Aram Bagh provides an example of a variant of the charbagh in which water cascades down three terraces in a sequence of cascades. Two viewing pavilions face the Jumna river and incorporates a subterranean 'tahkhana' which was used during the hot summers to provide relief for visitors. The garden has numerous water courses and fountains.

The name is a corruption of the Persian Aaram Bagh meaning 'Garden of Rest'. It is also variously known as Bagh-i Nur Afshan 'Light-Scattering Garden', Aalsi Bagh or 'Lazy Garden': according to legend, Emperor Akbar proposed to his third wife, who was a gardner there, by lying idle for 6 days until she agreed to marry him.


Jahangir waited in the garden in early March 1621 for the most astrologically auspicious hour for him to enter Agra after he took the Fort of Kangra. The preserved, surviving architecture dates to his reign and demonstrates the skill of his wife Nur Jahan as a garden designer.

BATESHWAR

BATESHWAR 
Bateshwar in Utar Pradesh: Historical, Cultural and Religious significance

It is widely believed that Bateshwar got its name form Vateshwarnath, which is one of the names of Lord Shiva. You can find 101 temples in this holy town of Bateshwar. You can also find long line of Ghats with a series of temples along the river front. The beauty of these temples can be gauged from the fact that you can still find the original paintings on these temples which were done with traditional vegetable paints in old times.


Religious significance of Bateshwar in UP
 Not only this, Bateshwar is also believed to be birthplace of Lord Krishna's mother. According to some legends other name of Bateshwar is Surajpur. Its name surajpur is named after Raja Surajsen, who was grandfather of Lord Krishna.
If the question, What is the religious importance of Bateswar is bothering you, then you must know that, Bateshwar is also reffered as son of theDhams', which means as per hindu religion beliefs, after you have been to all the 4 dhams, you must visit Bateshwar. Bateshwar is also of great importance to Jains as it is the birthplace of the 22nd Jain Tirthankar Nemichand and is an important pilgrimage site for both, Digambar and Shwetambar jains

Cultural significance of Bateshwar in UP

The Bateshwar Fair of Agra is held in Bateshwar, which is at a distance of 70 km from Agra. Bateshwar is situared on the banks of river Yamuna and Bateswar derives its name from Bateshwar Mahadeo who is presiding deity of the place. There are 108 temples dedicated to various gods in Bateshwar.


In Bateshwar fair, devotees take holy dips in river Yamuna and worship lord Shiva. Apart form this religious association cattle fair is also organized in Bateshwar where buyers and sellers do business. Even if you are not involved in any of this business there ia lot other things to do in Bateshwar fair. You can just have a look at Cows, Bullocks, Buffalos, Goats, Camels and Elephants, birds which are adorned in beautiful rags and colors. Various cultural programs are also organized here to go with the festive atmosphere.

Sangin Burj Fatehpur Sikri

Sangin Burj Fatehpur Sikri

Sangin Burj is located to the north on the palace precincts. Its great breadth and depth of the arch in the external side of the bastion is regarded to be the uniqueness of this monument.

Only five sides of this octagonal building are visible, as the palace wall cuts off its three rear faces. The bastion is made up of red and buff sand stone containing semicircular pattern. The façade is adorned with a four centered arch edged with buff sand stone and decorated with flame-like decoration. The spandrels of arch contain buff rossets and are enclosed in red sand stone frame.

Interior of the Sangin Burj is made up of rubble-plastered masonry. The Sangin Burj also has a spacious central hall approached by a tibara-pillared verandah, with rooms on the three sides and corner chambers. The walls of these rooms are decorated with beautiful dado panels with geometrical designs and niches. The building has a domical roof above. 

Samosa Mahal Fatehpur Sikri

Samosa Mahal Fatehpur Sikri

Samosa Mahal is so known because of its triangular shape that resembles the shape of an Indian snack known as 'samosa'. It is said to be the residence of one of the nobles of Akbar. No records are available about the real name or occupants of the building and its shape has been altered ever since its northern portion was demolished and an enclosure wall was raised in its place. It is single-storeyed and has main entrance to its west. The irregular courtyard is surrounded by verandahs on its three sides. It has five rooms with its roofs supported by pillars and brackets on the southern side.

The other two sides also have series rooms and an open courtyard. There are six rooms on the eastern side and four rooms on the northern side. The palace being a residential building also has hammams or baths and toilets with earthenware pipes. It has been designed beautifully, keeping in mind the needs and comforts of the occupants. A combination of red and gray sandstone has been used and ornamental arches and friezes have been used on all sides. One can still see the traces of the paintings in the interiors. Beautiful pillars and heavy brackets graced the verandahs.

Chahar Suq Fatehpur Sikri

Chahar Suq Fatehpur Sikri

Literal meaning of 'chahar suq' is a market place arranged around a square enclosure with a single gateway on each of its four sides. This enclosure was in fact the focal point of the grand market place, which was extended on all sides, with regular shop on either side.

There are still some traces of partition wall inside this square enclosure, which suggest that shops were also provided inside the open court. This was the place where wares from foreign were brought for sale.

This enclosure is 35 square meters in area having partially survived enclosure wall pierced with four gateways in cardinal directions. There are four gateways having flat roof on either sides.

Caravan Serai Fatehpur Sikri

Caravan Serai Fatehpur Sikri

Caravan Serai is at near Hathi Pol. The building was built as a guesthouse for important persons or traders. Interior of the Serai has a spacious quadrangle court of 74.82m by 82.66m in dimension. There are residential rooms on all the four sides of this grand court. Besides these rooms, there are also terraces built on southeast side of the Serai. These rooms once had pillared verandahs in front, which have now been demolished. The presence of tank and well on the southeast side of Serai suggests that water and toilet facilities were also provided to the guests.

Caravan Serai is located on the slope of the ridge, which was beautifully utilized by terraced construction. It is rectangular in plan having its main entrance in the middle of the northwest side. The gateway stands over a small plinth, which was broken in the middle to allow access to the main entrance archway, which is flanked by two smaller ones. The spandrels of these arches are made up of marble and are decorated with rossets of red sandstone. The smaller arches are also decorated with marble. The soffits of the arches were once decorated with stuccowork in geometrical designs.

Abul Fazal House Fatehpur Sikri

Abul Fazal House

The two residential buildings to the north of the Jami Masjid are said to be used by Abul Fazal and his elder brother Faidi. These buildings have almost similar dimensions and plan and are made up of red sandstone. The building on the southeastern side is said to be Abul Fazal's House. The rectangular single-storeyed building has a tibara dalan or verandah with three openings in front and two pairs of carved and stylized columns. The fluting capitals of the columns with beautiful brackets supporting the lintels of the roof look quite impressive. The two small chambers on either side of the verandah lead directly on to the terrace of the building.

The central oblong room of the building is the largest one too and has three flat topped doors. On its either side, there are two rooms with three engrailed arched entrances. The central broader arch has spandrels adorned with beautiful rossets. Originally, the ceiling of the main room and verandah were painted with bright colors but they have now disappeared with time. One can reach the rooms on the upper storey by a flight of steps. There are two suites of rooms above that are connected by a narrow gallery. A stairway from the upper storey leads to the baths and toilets on the southwestern side.

Roman Cathalic Cemetery Agra

Roman Cathalic Cemetery Agra
This cemetery is situated on the eastern extension of the Mahatma Gandhi Road, near the Civil Court of Agra. It is one of the ancient Christian cemeteries in Agra. The site of the cemetery is a part of the estate granted by Akbar to the Roman Catholic Mission. The cemetery contains tombs of different nationalities. Some are buried under simple tomb stones, while a few have respectable tomb buildings containing their mortal remains.
 The most prominent tomb of a European at Agra is that of colonel John William Hessing. He was a native of Utrecht in Holland and was born in 1739. He served under the Nizam of Hyderabad and Marathas and died at Agra on 21 July 1803. The cemetery of Jhon Hessing was built by his sons and daughters. Its design was essentially borrowed from the Taj mahal, but comparatively much smaller project on a much reduced scale. Instead of white marble it is finished in red sand stone. Its has no inlay or mosaicdecoration and the ornamentation is exclusively in carving on the exterior, in stylized floral designs. The tomb is square on plain. Each facade has an iwan in the centre, flanked by ornamental double alcoves, one over the other. Slender turrets are attached to the central iwan – frame. The corners of the tomb are not chamfered. Instead, vertically fluted turrets surmounted by square chhatris are attached to them. The tomb is roofed by a double – dome, crowned by a magnificent finial. Popularly known as Red Taj Mahal because of its imitation of Taj in miniature scale, it is a perfectly balanced and beautiful building and exemplifies the continuity of the architectural skills of Mughal in the 19th century.
The tomb of General Perron, pyramidal in shape, lies to the north of Hessing’s Tomb. The other important tombs are of Walter Reinhard (popular as Samru and specially remarkable as the husband of the famous Samru Begum of Sardhana), the great traveler Thieffan Thaler, John Midenhall (self-styled English ambassador to the Mughal Court) who died in 1614 A.D., Francis Corsi who died in 1635 A.D., Geronimo Veroneo (the so called architect of Taj) who died in 1640 A.D., Father Joseph de Castro who died in 1646 A.D., The famous artist Austion De Bodeaus and Francis Ellis who died in 1868 A.D.

Mankameshwar temple agra

Mankameshwar

 Mankameshwar Mandir (Temple) in Agra is one of the ancient templesdevoted to Lord Shiva. The temple is situated at Rawatpara, near Agra Fort Railway Station. It is said that the shivlinga is covered by the silver metal and was founded by Lord Shiva himself during Dwapara era, when krishna was born in mathura. For child krishna darshan Shiva arrived from mount kailash and rested here. Shamshaan(cremation ground) yamuna which used to flow here, Shiva meditated and nightstayed at the Mankameshwar Temple. wished if i would be able to make krishna play on my lap i wil put a linga here.Next day after seeing shiva's swaroop, ma yashoda asked shiva not to come near the child as krishna might get afraid of him.Seeing this krishna did a leela(drama), started crying pointing towards shiva who was sitting under a banyan tree in samadhi position.seeing this ma yashoda called lord shiva and asked him to give his blessings to her child(krishna).Coming back from gokul, shiva came back and laid his linga(swaroop) here.Thus,he said my wishes were fulfilled here;Whosoever in coming future comes here with his mankamna(wishes) you lingaswaroop will fulfill his or her mankamna(wishes).From then onwards this lingaswaroop is known as shri mankameshwarnath ji.

 

The temple has one sanctum sanctorum where the vigraha of Lord Shiva sits. It is surrounded by the typical Shiva family idols. One has to descend down a score of stairs to reach the sanctum sanctorum. One can reach fully close to the main vigraha provided one doesn't wear leather items and English style pants, pyjamas, and salwaar suits.

On 24 July 2004, lord krishna's swaroop(ShriNath ji) was established under the guidelines of Shri nanaji bhai mukhiya ji of Shri Dwarikadeesh nath ji,mathura.Madhurashtkam and aarti of shrinath ji is a special scene to see.

Behind the sanctum sanctorum are several small temples within the main temple complex. These are devoted to various deities like Lord Ganga, Saraswati, Gayatri, Hanuman, Kaila devi, Narsimha, Krishna, Rama to name a few.

Math is looked afterby shri shri mahant Yogesh Puriji, who succeeded his father late shri shri mahant Udhav Puriji. 11 Akhand jyoti are being lit everyday(24 hrs.) of desi ghee. Devotees after fulfilling their wishes comes here to light a deepak of 1.25 Rs. to 1.25 lakh Rs. everyday.

Math also runs a Hospital, Vidyalaya, Gowshaala, at village, digner shamshabad road agra. 17 km far from the temple. Temple of shri girraj maharaj(govardhan nath) is getting constructed over there. At rawatpada a pre-nursery school, homeopathic clinic, computer education centre, a dharmshaala(guesthouse) is also run by the Math Administrator, shri Harihar Puriji.


There are special paan which you get near Mankameshwar. These are folded in such a manner so that their shape becomes that of a pyramid. They are then coated with "chandi ka verk" (Silver Foil) and garnished with coconut powder.

Itmad-ud-daula



 Itmad-ud-daula has a special place in the chronicles of both history as well as architecture. This is precisely because Itmad ud Daula is the very first tomb in India that is entirely made out of Marble. This is actually a mausoleum that overlooks the River Yamuna and is a tomb of Mir Ghiyas Beg, a minister in the court of Shah Jahan.




Chini Ka Rauza







Mariam-uz-Zamani Tomb

Mariam-uz-Zamani Tomb


Mariam-uz-Zamani, also known as Heer Kunwari, Jodha Bai, Hira Kunwari or Harka Bai, (October 1, 1542 – May 19, 1623) was an Empress of the Mughal Empire. She was the wife of Mughal Emperor Akbar.She was his first and chief Rajput wife, the mother of the next Mughal Emperor, Jahangir and grandmother of the following Mughal Emperor Shah Jahan.

Mariam-Uz-Zamani was referred to as the Queen Mother of Hindustan, during the reign of the Great Mughal, Emperor Akbar. She was the longest serving Hindu Mughal Empress. Her tenure, from 6 February 1562 to 27 October 1605, is that of over 43 years.

Her marriage to Akbar led to a gradual shift in his religious and social policy.Akbar's marriage with Rajkumari Heer Kunwari was a very important event in Mughal history. She is widely regarded in modern Indian historiography as exemplifying Akbar's and the Mughal's tolerance of religious differences and their inclusive policies within an expanding multi-ethnic and multi-denominational empire.
The structure was originally an open baradari (pleasure pavilion) under Sikander Lodi who built it in 1495 AD. It was adopted by the Mughals in 1623 AD and converted into a tomb by making a crypt below the central compartment. They remodelled it substantially. The ground floor consists of some forty chambers built by Sikander Lodi, which bear faint traces of paintings on plastered walls. The centre of the ground floor houses the cenotaph of Mariam.

The mausoleum contains three tombstones: one in the underground mortuary chamber, which is the grave itself; the cenotaph above it on the ground floor and another cenotaph on the terrace.

This square tomb stands in the centre of a sprawling Mughal garden. The square building of the tomb of Mariam Zamani is built on a raised platform with stairs on its northern and southern sides. The two corridors running from east-west and north-south divide the structure into nine sections that are further subdivided into smaller compartments. The largest one is at the centre, four small square ones at the corners and four oblong ones in the middle of four sides. Massive piers have been used to support the broad arches and vaulted ceilings. The building material is brick and mortar, with the finishing done in stucco.

The four facades of the building were reconstructed with red sandstone panels and a chhajja with addition of duchhati (mezzanine floors) at the corners by the Mughals. On each facade is an arch in the centre, set in a rectangular frame which projects forward. It is flanked on each side by a wing which consists of three arches and a set of double arches, one over the other, thus accommodating a duchhatti at each corner of the building. The arches are pointed. The wings are protected by chhajjas. The duchhatti are accessible by stairways.

The superstructure was also remodelled by Mughals by addition of chhatris and chhaparkhats. The superstructure has four massive octagonal chhatris on its four corners, and four oblong chhaparkhats on the middle of the four sides. Each chhatri is made out of red sandstone and stands on a square platform. Brackets have been used to support the internal lintels and external chhajja, five on each pillar, making a total of 40 brackets in one chhatri. Each chhaparkhat is rectangular and has eight pillars with a similar cluster of brackets. While the chhatris are made out of red sandstone, their domes are white. The roof of each chhaparkhats is white. Their domes are crowned by an inverted lotus or 'padma kosha'. These chhatris and chhaparkhats constitute the most important ornament of the whole composition. The rectangular chhaparkhats with eight pillars and a cluster of brackets resemble the corner cupolas. They dominate as much on façade as on superstructure. The building is complete in itself even without a dome. The mausoleum is of architectural importance in the category of Mughal tombs without a dome.


Wednesday, 26 February 2014

Jamat Khana Fatehpur Sikri

Jamat Khana


Jamat Khana was the assembly hall situated on the eastern side of the tomb of Sheikh Salim Chisti, where his disciples used to pray and carried out their religious practices. It is built in red sandstone and is surrounded by charming perforated screens. Sheikh Haji Hussain arranged the religious functions to be held here until his death in 1591, after which he was buried in the southwestern corner of the building. Since then, it became the graveyard of the Sheikh's followers and houses twenty-four graves. There are Quranic inscriptions on some of these graves and the pen box or the turban was used to mark the graves of the men while a flat bard called takhti marks the grave of the women.

The square building has a I m high platform and is enclosed with an arcaded verandah. Each façade has seven bays while the beautifully carved entrance door in the middle of the central façade leads to a courtyard. The central chamber looks square from outside but is octagonal from inside and houses the tomb of Islam Khan, who was the grand son of Sheikh Salim and also the Governor of Bengal. Thus, this chamber is also known as the tomb of Islam Khan. The unique feature of the building lies in the 36 small domed kiosks that surrounds the central dome making its roof look quite elegant. Badshahi Darwaza on its eastern side is situated on Yaran Chabutra or Friends' Platform, which houses the graves of other disciples of Shiekh Salim Chishti.

Hathi Pol Fatehpur Sikri

Hathi Pol


The name Hathi Pol was kept as it was once adorned with two beautiful stone 3.7m elephants, one on the either side of the gate. Hathi Pol was the official gateway to the royal complex. The trunks and heads of these elephants have now been ageing. Only the lower portion of the structure is survived now.

The gateway is made up of rubble and finished with red sand stone and marble. The gateway is fortified and contains battlements. The main entrance was made without any decoration. It is around 5.20m high and is entirely plane. On either of this arch one can see partially survived stone elephants. There is a 3m wide gallery at the entrance arch. It is accessible by a narrow staircase on either side of the gate.

Birbal's House Fatehpur Sikri

Birbal's House Fatehpur Sikri

According to popular beliefs the most probable occupants of this palace were Akbar's two senior queens, Ruqayya Begum and Salima Sultan Begum. Birbal's house stands near the northwest corner of Jodhbai's palace. It is one of the marvelous buildings of imperial Harem. It was built in 1571. It consists of fours-quare rooms, each measuring 16'-10" (5.13m) square side, all interconnected through open doorways and two oblong entrance porches on Northwest and Southeast corners. While all the four rooms, have flat ceilings, porches have triangular chhappar ceiling with pyramidal roof. The interior of the building is divided into three days by richly carved pilasters. Shafts of these pilasters have been divided into three zones, which contain three different kind of decoration like single border designs, arabesque geometrical designs and stylized floral designs.

Capitals of these pilaster bears lotus petals and stalactite designs. The first floor has beautiful Jharokhas overlooking the court below and a simple chajja. Each dome of the upper rooms rests on an octagonal drum, which is also carved with a raised trefoil pattern. The domes are crowned by an inverted lotus and kalash finials and also bear traces of tile work. Though the entire construction is composed of lintels and beams, but beautifully carved brackets have been used to span the spaces between the pillars and ornamental arches. These brackets are carved on both faces with lotus and arabesque designs. Spandrels of the arches also bear arabesque and floral design.


Khwabgah Complex Fatehpur Sikri

Khwabgah Complex Fatehpur Sikri


Khwabgah or the Dream Palace, as the name suggests, is the most beautiful building of the royal complex and was conceived for the emperor's personal use. It has a separate room for the emperor to hold secrete official meetings with his nobles, Kutub khana or a personal library with a number of books and official documents, a small bathroom and the bedroom of Akbar. The double-storeyed red sandstone building is one of the most well planned buildings of Fatehpur Sikri. Abul Fazl states that there were about 25000 manuscripts in Akbar's library. The room behind Kutub Khana used for secret meeting still has traces of some of the most beautiful paintings. This complex was also connected to the offices or the Daftar Khana of the royal complex.

The bedroom known as Khilwatkada-i-Khas was surrounded by a pillared verandah with a stone-tiled sloping roof. It was connected to the imperial harem and Panch Mahal via a covered passage. The ground floor chambers are simple but the emperor's personal chamber on the first floor is pompously oramented using carved flat panels, beautiful murals depicting geometrical and floral patterns and painted designs. The mural paintings on the wall depict scenes from Mughal court, which have faded with time. Persian inscriptions in different colors are also used often praising the palace and comparing it with paradise.

Turkish Sultana's House-Fatehpur Sikri

Turkish Sultana's House


Though some people suggest that this building near Anup Talao was the home of two turkish queens of Akbar called Salima Sultan Begum and Ruqayya Begum, Turkish Sultana's House is too small for being a residential building. It is more probably the 'Hujra-I-Anup Talao, mentioned by Badauni, a pleasure pavilion attached to the pond and might have been used by the Turkish queens for this purpose. The pavilion has square piers. It is connected to the ground floor of the Khwabgah complex through a colonnaded verandah and has a portico in the west. Both the verandah and portico has a stone screen with latticework.

Intricately carved like wood, this building is also known as 'superb jewel casket'and each of its stone slab has a different design such as arabesque designs on the pillars of verandah and bell shaped, floral and herring-bone carvings on the brackets supporting the roof. The dado panels depict scenes of forests and gardens. There are animal motifs and swastik patterns too